Fountains Abbey and Studley Royal

Fountains Abbey and Studley Royal

near Ripon

The picturesque ruins of 12th century Fountains Abbey, near Ripon, make a splendid excursion from Elmet Farmhouse. Adjoining the abbey grounds are the serene 18th century water gardens created by John and Wiliam Aislabie on their Studley Royal estate. Newly restored by the National Trust, who own both properties, the gardens consist of a series of lakes, ponds and canals adorned with classical statues, overlooked by temples, towers and viewpoints. These vistas, along with the stunning views of nearby Fountains Abbey, combine to create an unforgettable landscape experience.

Fountains Abbey and Studley Royal, near Ripon, North Yorkshire HG4 3DY

Email: fountainsabbey@nationaltrust.org.uk

www.nationaltrust.org.uk/fountains-abbey-and-studley-royal-water-garden

Open daily 10am – 6pm                            

Gentleman Jack

Anne Lister (1791 – 1840) of Shibden Hall, near Halifax – whose story is told in the major BBC TV series Gentleman Jack – was a remarkable woman; a landowner, business woman, diarist, mountaineer and traveller.

Celebrated today as the ‘first modern lesbian’, the diaries kept by Anne Lister from her teenage years until her death at the age of 49 run to around 5 million words. Tall and boyish, she dressed in black and wore her hair in tight curls on either side of her face. With her neck ruff, stout boots, black coat and round hat (rather than a bonnet) she looked distinctly masculine. Nicknamed ‘Captain Tom Lister’ locally during her lifetime, she was later referred to as “Gentleman Jack”.

Anne’s diary entries chronicle her daily life, as well as social, political and economic events and her business interests. Approximately one sixth of the diaries are written in code. This clever combination of Greek letters and algebraic symbols was referred to by Anne as her ‘crypt hand’. The crypt hand entries describe quite graphically Anne’s deepest emotions, her private affairs and relationships with a number of women, including the tactics she used for seduction.

Born on 3 April 1791, Anne Lister lived at Shibden Hall, 2 miles outside Halifax, from 1815 until her death in 1840. As well as rent from farms and cottages, the Shibden estate drew income from its reserves of coal, water, stone and timber. Further income was generated from canal shares, turnpike road trusts and pew rents. Anne inherited the estate in 1836 after the death of her Father and Aunt and made great changes to both Shibden Hall and the estate, adding to their size and grandeur.

Following a series of intimate relationships with female friends over the years, which often ended unhappily, Anne was keen to find a ‘wife’ to live with her at Shibden Hall. In 1832 Anne became reacquainted with Ann Walker, a wealthy young heiress who had inherited the nearby Crow Nest Estate. Their friendship developed rapidly, the two became lovers and Ann Walker came to live at Shibden Hall in 1834.

Anne Lister’s story is told in an 8-part BBC/HBO co-production called Gentleman Jack, starring Suranne Jones as Anne Lister and Sophie Rundle as Ann Walker. Written by BAFTA award-winning screenwriter Sally Wainwright (of Happy Valley and Last Tango in Halifax fame), who grew up in Calderdale, Gentleman Jack was filmed at Shibden Hall and the surrounding area. For more information about the film locations used in the series, please click here.

Shibden Hall near Halifax – Home of Anne Lister – ‘Gentleman Jack’

Shibden Hall, which dates back to the 15th century, is run by Calderdale Museums and is open to visit. For further information about Shibden Hall, please click here

  

Saltaire UNESCO World Heritage Site

Saltaire near Shipley – only 16 miles from Elmet Farmhouse – is great place for a day out. A model village built in the mid 19th century by the philanthropic industrialist Sir Titus Salt (1803-1876), it was created to provide high-quality housing for the thousands of workers at Salt’s Mill, his huge complex of textile factories next to the River Aire.

Almost every aspect of this extraordinary development was the brainchild of this visionary man, from the magnificent Italianate Salt’s Mill (1853) designed by Lockwood and Mawson, to the elegant Congregational Church (1859) with its circular tower, and the imposing Saltaire Institute, 1869, flanked by four majestic carved stone lion sculptures by Thomas Milnes. Saltaire is so unusual and well-preserved that the whole village has been designated as a UNESCO World Heritage Site.

Take a walk around the village and admire the handsome stone terraced houses designed in a variety of different styles. Don’t miss the shops and cafes on Victoria Road in Saltaire Village and the regular vintage fairs in the grand Victoria Hall. There’s more to see in Roberts Park (opened in 1871) across the footbridge over the river, where you can watch the cricket, stroll along the promenade, listen to the band or take tea in the Half Moon Cafe. Nearby Shipley Glen Tramway, dating from 1895, is open during the summer months.

Salt’s Mill                                                                                                                            

Although the textile industry is long gone, Salt’s Mill has been resurrected as an exciting cultural and creative hub. Beautifully restored, it houses a dynamic complex of galleries, shops and restaurants, including two enormous bookshops, an antiques centre, a buzzing diner and a design shop called The Home.

A unique feature of Salt’s Mill are the hundreds of works of art by multi-talented Bradford-born artist David Hockney, informally displayed all over the building. Hockney’s work is lively and colourful, and the work on show spans his long and varied career, including paintings, prints, photomontages and posters, as well as his latest digital paintings created using an ipad.

Complementing Hockney’s vibrant paintings is an exuberant collection of Victorian ceramics made by the Burmantofts Pottery in Leeds. Decorated with brightly-coloured glazes, these large pots are a visual delight and reflect another aspect of the creativity in the West Riding.

Saltaire’s Textile Heritage                                                                                                                                                            

Saltaire’s textile heritage is recorded in a fascinating series of paintings by Leeds-born artist Henry Carr R.A. illustrating textile manufacturing processes. Specially commissioned by Salt’s Mill between 1957-59, many of the paintings are on unusual irregular-shaped canvases. They accurately record each stage of the manufacturing process, from sorting, scouring and combing the wool, to spinning the yarn and weaving the cloth, to dyeing and inspecting the fabric. Recently restored, these wonderful paintings are now displayed in various parts of the mill.

Salt’s Mill, Saltaire BD18 3LA. Tel 01274 531163. www.saltsmill.org.uk

Saltaire Village: www.saltairevillage.info/

© Text and photographs copyright Lesley Jackson

Birds of many Feathers

Birds of many feathers flock together in the hills and dales around Hebden Bridge                                                                                                                                   

 

Whether you’re a serious birdwatcher or simply enjoy observing garden birds, there’s a wealth of birdlife in the hills and dales around Hebden Bridge. Because of its hilltop location, Elmet Farmhouse is the perfect place for birdwatching. Surrounded by meadows, with woods and rivers in the valley below and open moorland on the uplands above, there’s an unusually diverse array of species in close proximity.

From golden plovers, lapwings and curlews up on ‘the tops’, to kestrels, swallows and pheasants in the fields, to woodpeckers, tawny owls and treecreepers in the woods and herons, dippers and grey wagtails by the river, there’s great scope for bird-watching in the Upper Calder Valley. These photos record some of the birds we’ve encountered locally in the last few years.

Blue Tit

Barn Owl

Black-headed Gull

Blackbird

Buzzard

Canada Goose

Chaffinch

Chiffchaff

Coal Tit

Curlew

Dipper

Dunnock

Fieldfare

Gadwall Duck

Goldcrest

Golden Plover

Goldfinch

Goosander

Great Spotted Woodpecker

Great Tit

Green Woodpecker

Greenfinch

Grey Heron

Grey Wagtail

Greylag Goose

Guinea Fowl

Herring Gull

House Sparrow

Jackdaw

Jay

Kestrel

Lapwing

Linnet

Little Owl

Long-Tailed Tit

Mallard Ducks

Meadow Pipit

Mistle Thrush

Northern Wheatear

Oystercatcher

Parakeet

Peacock

Pheasant

Pied Wagtail

Raven

Red Grouse

Redpoll

Redshank

Redwing

Reed Bunting

Ring Ouzel

         

Robin

Rook

Sandpiper

Short-Eared Owl

Siskin

Skylark

Snipe

Song Thrush

Starling

Swallow

Tawny Owl

Treecreeper

Tufted Duck

Willow Warbler

Wren

For up to date news about sightings by keen local birdwatchers, visit Calderdale Birds

© Photos copyright Lesley Jackson and Ian Fishwick

Piece Hall Halifax

Halifax Piece Hall – An Architectural Gem

Following a major renovation, Halifax’s magnificent 18th century cloth market – The Piece Hall – reopened in 2017. Originally built in 1779 as a market hall for merchants selling hand-woven woollen and worsted cloth produced by independent yeoman clothiers from the surrounding area, this spectacular Grade I Listed building is an architectural masterpiece.

Constructed from fine-grained local sandstone with a stone slate roof, the Piece Hall is the most significant surviving monument to the domestic textile industry in Britain. The building takes its name from the 30 yard lengths of cloth, known as ‘pieces’, which were the mainstay of its trade, along with raw wool.

A large rectangular building housing 315 small rooms, the Piece Hall is believed to have been designed by Thomas Bradley, a Halifax architect and builder who was Surveyor for the Calder Navigation Company. Taking the form of a quadrangle, the Piece Hall has a large open square in the centre measuring approximately 110 yards by 91 yards. Constructed on a slope, the western side has a ground floor with one upper storey, while the east face is on three levels, with internal staircases at each corner.

Classical in style, the Piece Hall draws inspiration from Roman and Italian Renaissance buildings. The merchants’ rooms are set back behind elegant colonnades. The lower arcade has round-headed arches on square piers. The middle level has Rustic pillars with Tuscan capitals. The upper colonnade has circular Doric columns.

There are arched gateways on three sides of the buildingThe north gateway, which was originally the main entrance, has a pediment topped by  a classical urn, and is inscribed ‘Opened January 1st 1779’. The west gateway has a classical cupola with a bell, surmounted by a Golden Fleece and a weather vane. The south gateway features elaborate multi-coloured cast iron gates dating from 1871.

Trading at the Piece Hall was strictly regulated and took place between 10 am and 12 noon each saturday morning. Originally cloth was transported to the Piece Hall by packhorses after being collected from farms and cottages on the surrounding uplands where it was made. The cloth was then distributed throughout Britain and Europe.

Following the Industrial Revolution, textile manufacturing processes were mechanised and production shifted to water- and steam-powered mills in the valleys. This radically altered the system of trade, as a  result of which the Piece Hall rapidly became defunct. From the early 19th century onwards the building was used for a variety of additional purposes, including firework displays, religious sermons and political rallies. In 1867 the Piece Hall was transferred to the Halifax Corporation and from 1871 onwards it was used as a wholesale fish, fruit and market. This continued for the next 100 years.

By the early 1970s when the wholesale market ceased, the Piece Hall had fallen into disrepair and was threatened with demolition. Thankfully it was saved, however, and after being renovated, the building reopened in 1976 housing shops and an outdoor market.

Following another major restoration project grant-aided by the Heritage Lottery Fund, the Piece Hall was given a new lease of life in 2017. Now managed by the Piece Hall Trust, it incorporates shops, galleries, cafes and bars, as well as displays about the history of this iconic building. A varied programme of outdoor events – from street theatre to art installations and concerts – is held in the repaved central square, a stunning public space.

Adjoining the Piece Hall  is the newly-extended Square Chapel Arts Centre, a lively arts complex including a cinema, theatre and cafe bar. Housed in the historic Square Chapel, a red-brick Georgian chapel dating back to 1772, this is a key element in Halifax’s new Cultural Quarter, along with the new Central Library and Archive incorporating the spire of the 19th century Square Church. The library houses a Visitor Information Centre and provides direct access to the Piece Hall from Halifax railway station and  neighbouring Eureka! The National Children’s Museum.

www.thepiecehall.co.uk

www.squarechapel.co.uk

www.historicengland.org.uk

© Text and photographs copyright Lesley Jackson